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Manfred
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Date d'inscription : 06/03/2024
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Lun 8 Avr 2024 - 16:01
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The teleplay begins as a simulated documentary about the impact of a nuclear strike on Sheffield, but ends up as a coolly Bergmanesque vision of a literal hell on earth. The early post-blast scenes - with survivors huddling into barricaded-in basements, fearful of and hostile to outsiders - were reminiscent of nothing so much as Romero's Night of the Living Dead. Near-total anomie, society stripped back to its Hobbesian bare minimum.

What Threads brought to unlife was the virtual apocalypse haunting the k-punkconscious. As Kneale's The Road shows, the Bomb haunts the unconscious, not as a spectre from the past, but as a virtual future so terrible its shockwaves echo back through time. Ballard says that there are times - particularly times of great trauma - when the unconscious and the external landscape are flat with one another. This is what nuclear devastation would be like: the raw material of total nightmare, worse than the worst nightmare imaginable, now real. Reality at its most nightmarish even though it is reality in its purest form: no escape, no return, the traumatized population literally cannot live with this, so they don't, auto-numbing themselves into the simulated death of blank-eyed shock.

So many electrifying images, worthy of the most intense film: an almost oneiric scene in which, amidst swirling radioactive dust, a woman - her eyes coalmine black and totally devoid of affect - clings onto the shrouded corpse of a baby. The eyes, the eyes: vaguely questioning but dazed, dazed. This can't be happening, this is happening, the trauma victim's mantra. Soldiers frisking the dead body of freshly shot looter for a packet of crisps. 'Salt n vinegar. It would be. I hate those.' A woman giving birth in a filthy abandoned hangar, with only a chained-up barking dog for company. Hospitals like charnel houses, like that Baconoid facility in Jacob's Ladder.

A decade later. England as a Medieval country again... The massively reduced population hoeing an unyielding earth... Language attenuated, devolved into rough, guttural injunctions, reflecting a new harshness in social relations. No compassion, which is yet another luxury from a bygone age no-one can even remember any more.

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